Hi, my name is Jackie Cohen and I’ve got a new record. The title is Zagg, a nickname I picked up in high school as some dumb Kerouac-related joke (I actually remember but I don’t want to tell you), and also a word that means “a sharp change of direction.” I chose it for a number of reasons.
First and foremost: it’s gonna look tight on an embroidered hat. As the famous adage goes, “Lead with your merch!” Next: Zagg is me, my name, and this record is my first real, intentional, nearly unabashed step toward being myself confidently out in the world. Here I am! Here are my songs. Finally: making this record was truly a “life zagg” for me. I quit my marketing job. I quit my teaching job. I quit my sausage sampling at the mall job. I started taking my meds as directed. This is my SSNRI record. I’m reflecting instead of spiraling. Got my egg cracked a few times but I’m landing sunny side up. Like the Bridge of Avignon, I am partly destroyed but quickly rebuilt. I’m in cahoots with the Avengers of record-making. Still not perfect, but what’s so sexy about perfect? The intrigue’s in the pockmarks. This record is extremely fun.
Zagg is a Jonathan Rado + Matthew E. White co-production. We played X-Files on mute for the entire two weeks we spent tracking with the Spacebomb House Band. We all got the flu. Two among us came down with foot & mouth disease (won’t name names). The playing and production is bright and beautiful across the whole grab-bag of love songs, laments, self-mortifications, meditations on sunscreen, hammer-anvil jams, and kit v. kit double drum cardio smash-bros looney tunes suicide pursuits. Don’t get me started on Trey Pollard’s freak-of-nature orchestral arrangements.
Here’s my friend Eric Deines describing the record:
More than one of Jack’s many nicknames, Zagg is also a shout out to her uncanny ability to select an unanticipated word or musical flourish, her disarming poetic acumen, her ability to zoom in and out at lightning speed and spin a phrase into a mantra, or the opposite of a mantra. Each song on this record is its own unique little world, keeping a listener delightfully off-kilter throughout the entire affair. Opening track ‘FMK’ operates likes a sonic thesis statement. For a quiet moment, Jackie’s confessing her recurring mother-in-law dreams and initiating a sudden-death round of Fuck Marry Kill. Then on a dime she somersaults into rocket-pop posture, ready to cut loose and head to the movies with her best boogie-boy: ‘Let’s go to the movies and dance a little…you can share my Twizzler…Let’s go to the movies, you can dance at the movies!!!’ The charging, industrial pop of ‘Get Out’ is augmented with punching strings that are both lovely and foreboding. In the lithe, Rickie Lee Jones-nodding ‘Yesterday’s Baby,’ a giant foot-shaped cloud looms in the mouth-shaped sky and Jackie gets microscopic — ‘Why don’t you just let it burn out/Toss that glass of wine out/Stamp that Camel Light out/Shut your mouth up shut up your mouth.’ After a few more dances, deep diaphragmatic breaths, and Blood on the Tracks winking ballads, knock-out marathon track ‘Keep Runner’ gives it straight to some Wile E. Coyote tomfool who’s out getting his butt blown up again.
The energy of the record, I think, comes from finding out Patti Smith didn’t make Horses until she was 29. Extremely influential Wiki experience. Oh, and Adam Green, my all-time favorite songwriter and artist, painted me looking like a doctrinal seer peering into a cartoon mirror. If nothing else in my life pans out? Beans! Navy, pinto, and cannellini. I don’t care. Peace has found me. Here’s the record. Listen hard. Read the signs. Pack a lunch. Enjoy.
02. Caught In A Feeling
03. Get Out
04. Take Care of Your Skin
05. Chico Chio
06. My Size
07. It Hurts
08. Too Cold To Cry
09. Yesterday's Baby
10. Goodbye Love of Mine
11. Keep Runner
33rpm LP Vinyl – Limited edition transparent yellow vinyl + Standard black – 140g, download code included
33rpm LP Vinyl – Standard black, 140g, download code included
Release date: May 10, 2019
Jackie Cohen – lead vocals, background vocals, acoustic guitar
Jonathan Rado – piano, background vocals, minimoog, electric guitar, organ, mellotron, string synth, noise blasts, radotronics, reverb hits
Trey Pollard – electric guitar, acoustic guitar, Farfisa, pedal steel, Irish Guitar, piano, Fuzz Blasts, claps, marimba, vibes, tubular bells, marimba, mouth shaker
Matthew E. White – acoustic guitar, electric guitar, claps, marimba
Cameron Ralston – bass, bass synth, claps, marimba
Pinson Chanselle – drums, tympani, percussion, bells, claps, marimba
Trumpet: Rob Quallich
Trombones: Bryan Hooten, Toby Whitaker, Reggie Pace, Stephanie Ycaza
Harp: Colleen Thorburn
Violins: Adrian Pintea, Stacy Matthews, Treesa Gold, Meredith Riley
Violas: Kim Ryan, Hyojoo Uh
Cellos: Jason McComb, Schuyler Slack
Strings Contracted by Treesa Gold
Arranged and conducted by Trey Pollard
All songs written by Jackie Cohen
“FMK” written by Jackie Cohen with Jonathan Rado
Produced by Jonathan Rado & Matthew E White
Engineered by Adrian Olsen, Jonathan Rado, & Tristan Rodman
Recorded at Montrose Recording, Richmond, VA
Mixed by Ali Chant
Mastered by TW Walsh
Lucy Arnell – guitar on “Chico”
Eric Slick – cowbell on “Chico”
Kevin Basko – background vocals on “Chico” & “Too Cold To Cry”
Michael D’Addario – background vocals on “It Hurts”
Brian D’Addario – background vocals on “Yesterday’s Baby”
© 2019 Spacebomb Records. All Rights Reserved.